"If they were going to bring the Silver Surfer back to film, it was offered to me, I would jump at the chance.
#Doug jones actor png movie
While speaking to about his Star Trek role last year, Jones also mentioned that he'd be eager to return to his SIlver Surfer role if the opportunity arose, such as in Marvel Studios' upcoming Fantastic Four movie set in the Marvel Cinematic Universe. Jones now plays Saru in Star Trek: Discovery on Paramount+. CGI enhancements added in post production. So I had to take care of all that business ahead of time and make sure that I can make it through an 18-hour day without having to use that back.#flashbackfriday If you thought my Silver Surfer character from FANTASTIC 4: Rise Of The Silver Surfer was all CGI, this behind the scenes photo from our shoot 15 years ago proves otherwise. 1.īut that behind of mine, that backside of the fish man - which was very sexy - that sexy backside came at a cost. If it is a rubber suit from head to toe that is a creature that is not wearing clothing - like the amphibian man from The Shape of Water - now you're looking at hiding a front flap that I can go No. If there's zippers and things that can be pulled down, you're good to go. On taking bathroom breaks when wearing a creature suit The Shape of Water, the amphibian man, was a quick one because it went on in only three hours, it was less glued down makeup and more suit, therefore it came off faster. So once you're done with that makeup process, you still are looking at a 10- to 12-hour shoot day, and then you're looking at a tear-down period. That would be all the sculpting, the molding, the running of pieces, the painting of those pieces ahead of time, so that the makeup artist on set can then blend the colors together with all the pieces that are now glued onto you. What happens beforehand is a huge share of the work. But that's three hours on set when the makeup artists are applying the pieces to the actor. Shape of Water was much kinder and gentler - that was only three hours. The Pale Man from Pan's Labyrinth, with my eyeballs in my hands - I did play that character as well - that was a six-hour transformation. The Fawn from Pan's Labyrinth, that was a five-hour makeup transformation. 15, 2017.Ī head-to-toe transformation often you're looking at, yes, five hours is about right. Jones arrives at the LA premiere of The Shape of Water on Nov. On the challenge of acting in a creature suit So I had to find my own ecosystem with this fish man character, and that's kind of what helped me, was to think of the family dog. So they have their own ecosystem to respond with. So if someone's talking to me, I had to think: OK, so when you talk to the family dog, 'You're such a good boy, Fluffy,' the dog does not say, 'Yes, Daddy, I am a good boy,' and give you a thumbs up. So when that's all you have to work with - along with using American Sign Language - that kind of upped the stakes on what we had to give visually.Īnd I could not use my human instincts to respond. When you think about dialogue and people communicating, so much of our communication is visual: how you hold your hands, how you're postured, what your body language is, expressions on your face, the tilt of the head. On performing "visual dialogue" as the fish man
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